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FLY OR DIE FREE
Due to FTC rules, all videos where I have received a free download, merchandise, or any travel arrangements is supported by the developers.Ī. It’s very similar to Deeeep.io, except this game is all about flying animals, not swimming animals.Ī. In Fly Or Die, you start as a small fly, as you eat things in the game you grow bigger and bigger and evolve through multiple different flying animals. In Fly Or Die, you become a flying animal and evolve through eating things. (Pitchfork may earn a commission from purchases made through affiliate links on our site.Welcome to another io game! This IO game is Flyordie.io. This isn’t the album you play if things are going well Fly or Die II leans into the exasperation of life in a country that elevates assholes, clowns, and wide-eyed racists to positions of power. The eight-minute “nuevo” is the album’s most pop-focused track, a bright spot peering through the overcast. Aki szívesen sakkozna, itt biztosan talál magának ellenfelet. Yet Fly or Die II grows more optimistic as it plays, and by the time “nuevo roquero estéreo” rolls around, the album veers to a festive style of Chicago jazz, where the beat locks into a two-stepping rhythm as Branch’s horn soars above it. Nem kell telepíteni semmit, csak a mobilod böngészjében nyisd meg az m. oldalt. A pronounced marching beat breaks down into frenetic free jazz, churning up an urgent blend of drum taps and loud horns-the sound of the sky falling.
The theme continues on “twenty-three n me, jupiter redux,” a moody, shape-shifting composition that conjures doom and panic through dark synth chords, crashing cymbals, and sporadic trumpet blasts. Louis, double bassist Jason Ajemian, and drummer Chad Taylor-the song lumbers toward you, as if the border agents were coming for you next. “Now her mother and brothers are safe in Chicago and she’s all alone.” Coupled with a surging instrumental-courtesy of Branch, cellist Lester St. “She was only 19, they crossed over at dawn,” Branch sings. once again, only to be held in a cage in Texas. Three years later, she seeks asylum in the U.S. Liner notes detail her journey: She’s separated from her family at the border and deported to El Salvador, where she’s beaten and sexually assaulted. In the second half of “prayer for amerikkka,” after the beat quickens to a stampeding mix of Spanish jazz, Branch tells the story of a teenaged Central American girl who seeks asylum in the United States. In keeping with the album’s theme, its sarcastic ode to “assholes and clowns” appears aimed at apathetic politicians, though Branch keeps the lyrics open-ended enough to apply to pretty much anyone worthy of such distinction.įly or Die II is expressly influenced by the political climate. She’s a gifted trumpet player who doesn’t need vocals to convey strong emotions, and to fans of her previous work, a track like “love song,” which concludes Fly or Die II, can feel weird on first pass. Don’t expect her to start singing old Nancy Wilson covers her voice-part raspy alto, part full-throated wail-is best suited for punk rock and takes some getting used to. While Fly or Die II is darker, denser, and more experimental than its predecessor, it’s no less resonant.īranch sings on this record-on “prayer for amerikkka pt 1 & 2” and “love song”-marking the first time she’s used her actual voice on her solo music. Centered on triumphant, hard-charging backbeats that oscillated between Chicago- and New Orleans-style jazz, it was a far brighter album than this one. Released through International Anthem (the same label that’s put out stellar projects from Makaya McCraven, Irreversible Entanglements, Damon Locks’ Black Monument Ensemble, Angel Bat Dawid, and Ben LaMar Gay), Fly or Die arrived seemingly out of nowhere and became one of 2017’s most acclaimed jazz albums. With thunderous trumpet wails and airy, sometimes deconstructed arrangements, Fly or Die introduced Branch as a powerful bandleader in the New York and Chicago avant-jazz scenes.
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